Further notes on the 3 Pillars of sound quality2020-05-13T08:05:20+01:00

Further notes on the 3 Pillars of sound quality

Hearing ability

Hearing ability varies from person to person. Some have great hearing but are not always experienced or trained in listening. Others have hearing loss. Some worry about age – see article below – How age affects hearing.

How Age Affects Your Hearing2020-05-13T16:10:41+01:00

Does age affect your hearing?

This article is prompted from talking to some of our clients, who are concerned that because they are not getting any younger, their hearing may be on it’s way out.

I would like to start by saying that 25 years ago, I personally knew an excellent audio reviewer by the name of Peter Turner, who was still reviewing at the age of 80! In case you are wondering if his reviews were reliable, I can say that he would sometimes go round to a much younger friend’s house to get a second opinion. I was with him on one of these occasions and can report that his hearing was as sharp as a pin – we had little to add to his observations during this equipment audition.

A few other factual stories are worth relating before drawing a few conclusions.

On radio 2, there was a phone in discussion regarding the rights and wrongs of 20kHz sirens installed outside city centre bars, to disperse young teenagers. Most adults hear up to 18kHz and are not supposed to be affected by this, whereas the under 15s should find it deafening. The surprising thing was, that there were 40 year old women phoning in to say how painful they found these sirens. This indicates very strongly that they probably retain hearing at 20Khz simply because they have not exposed themselves to much noise.

One of my friends was a sniper in Iraq. At age 23, he experienced severe hearing loss from the regular firing of a rifle with it’s very high impulse levels of sound.

A silver medallist swimmer who was also a real audio enthusiast, related to me that his hearing had been knocked down to around 10 kHz from the constant high frequency noise of rushing water past his ears in the pool. Although he was unable to hear top end detail, he was still able to appreciate even the smallest improvement to his Hi Fi, especially in the bass as this part of his hearing was relatively unaffected.

The star drummer at the opening ceremony of the London Olympics was deaf from birth, and simply “feels” the music from vibration.

Lastly there was a concern a while ago that older orchestra conductors might not be as good as younger ones due to hearing loss. Bear in mind that orchestra conductors suffer hearing loss from standing in front of very high dynamic sound levels. So a test was conducted – It was found that the more experienced older conductors were able to point out things that the younger ones did not pick up. This is explained by the very important way, in which note frequencies and harmonics interact with all the other frequencies (called inter-modulation effects).

The brain is incredibly adapt at interpreting these inter-modulation effects. So although your ear may not hear high frequencies directly (because of hearing loss), the brain interprets the inter-modulation effects to “hear” higher notes which the ear is not physically hearing. The BBC studied this phenomenon and gave the example that even on a phone which only produces sound above say 500Hz, the brain still can identify a deep voice and is “hearing” the voice as producing notes down to say 200 Hz or less. This is the same phenomenon that can trick the brain into thinking small speakers are producing deep bass when they are not.

From these stories, the following suggestions can be made:

  • Hearing is the last sense to go and remains better than we may think, right up to the end of our lives.
  • Hearing loss is more related to exposure to excessive high frequency noise, than age.
  • There is much that we do not know about hearing, one scientific journal was
    reporting that sensors in the eye retina, pick up frequencies far above 20kHz

Hopefully this will go some way to dispersing some of the concerns regarding the validity of experiencing high quality sound as the years pass. In a future article we shall talk about why a small minority of people do not seem to hear the differences that others rave about. Part of this discussion will go through why the ability to hear even minor differences is important and how to succeed in hearing them.

Some reviewers and designers have what we can call “hypersensitive hearing” but not many. Please see article below.

Hypersensitive Hearing2020-05-12T11:30:25+01:00

Hypersensitive Hearing

This is a difficult subject to talk about without the danger of seeming to create elites. Some individuals are gifted in certain areas. This is no less true when it comes to the way designers and reviewers listen. The truth is that some are bound to have more musical sensitivity and ability than others.

I have found it invaluable to recognise those in the industry who are the equivalent of world champions in listening or design.

In athletics it’s obvious how physical attributes like huge feet give swimmers an edge.

In the world of Formula One racing, Jackie Stewart (3 times world champion) said of his hero Jim Clark (2 times world champion but life cut short) –  “He was hypersensitive … he felt things other people would not feel”. Jim Clark was absolutely exceptional. Not many drivers have won the Indie 500 by 2 laps or in another race, come in 5 minutes ahead of the rest in torrential rain conditions.

Some pilots in the war are recorded as having something better than 20/20 vision in their ability to spot enemy fighters in the distance long before anyone else could see them. There are other notable instances of exceptional eyesight which proved life saving – like Mr X on the ill fated expedition led by Scott of the Antarctic where exceptional eyesight enabled him to spot seals in the distance (for food) which no-one else could see.

In the world of sailing, one of the best sailors I knew personally (long ago) used to operate the hydroplanes in submarines. This task was only given to those with an exceptional touch and feel, as instruments can only tell you so much and computer control did not exist.

In Hi Fi there are those with exceptional intuition when it comes to design. There are others with exceptional hearing. Both these qualities are important as the ability to detect quite minor shifts in musical playback on different designs which then sets direction. Good direction soon extends into big performance leads which are blatantly obvious to everyone.

Distributors and Designers who don’t have great hearing themselves often use or employ what are affectionately known in the industry as “Ears” (these are folk with reliable and exceptional hearing ability).

Sound stage ( 3 dimensionality)

This is probably the ultimate test for any system as the ability to create a sonic hologram of the sound involves all 3 of the pillars of great sound quality.

  • Left to right image is linked to clarity.
  • Depth of image, in terms of front to back positioning tends to be linked to accurate tonality.
  • The ability to accurately pinpoint instruments and singers in the mix is linked to dynamics. As mentioned previously dynamics draw “attention” and the ear follows dynamic sounds much more easily to locate them positionaly in the mix.  If an instrument is producing good dynamics it’s a bit like turning a stage spotlight onto it.
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